The A4 Shadow Box

For a while we’ve loved the quality of these locally handcrafted shadow boxes, and feel they could create a wonderful stage for any cherished artifact.

The spacecraft studio has an admitted obsession to celebrate process in creative work, so the choice to utilise these dear shadow boxes and frame a little era of the studio tables in A4 seemed fitting.

Above is an A4 piece of backing cloth chosen and cut from a 15 metre table length. It’s a genuine visual diary of off prints, colour tests and collaborations over a 3-4 month period.

Below is a fragment of a limited edition Fennel botanical artwork. These are just about to be taken to Gertrude St store for the weekend.

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The Friday Cushion

A package arrived from Barbara Sansoni this week heralding a new hand weave that warmed our autumnal hearts. Looking about the studio on that fresh Monday morning it was clear that Autumn would effect decision making, these new favourite tones bowing to its preference.

Stewart’s first screen printing studio was set up for Barbara in Sri Lanka. Her colour sensibilities are un-matched. Oblivious to pedestrian design forecasters and high street trends, Barbara is an artist, an architect a colour theorist, operating on a higher plane.

Stewart’s Friday cushion concept reminds me of it’s predecessor the Friday T-shirt. These limited edition t-shirts arrived at the store towards the end of the day, still warm from the fixing process with expectant gents waiting in cafe’s across the road for the drop.

The first to see a limited edition emerge on Friday afternoon. We sense the cold gathering and anticipate much love for the Friday cushion.

It’s a lively reminder, perhaps a celebration, of what the studio is capable of. Stewart can describe the idea over morning coffee, the studio sets to work : drawings, scans, films, screens… by lunchtime Stewart’s mixing colour and printing samples, leave over night, (just to make sure) and in the morning print the ever so limited edition. Then whisk from studio to store before close of day.

This week the Friday cushion is as soft as a freshly fallen leaf, printed onto linen using Apple Box branches from the Ned Kelly’s last stand tree in Glenrowen.

These cushions have just been placed in our online store.

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autumn – backing cloth paintings

This set include the last sighting of the Honourable Member for Murray, strangely comfortable amidst the surreal camouflage of geranium and fennel.

A lightness came through the studio this autumn. Possibly influenced by the regal colours of our Yellow Rosella, or spending time immersed in the 1960′s photo archive or the project with Koorie Heritage Trust or the concepts for the new hotel project in Japan, or the subdued fluoro texts for Joost’s Greenhouse…

As the December – April backing cloth paintings come to an end, a couple of patchwork paintings emerge using smaller sections and fragments created over four months. The patchwork shown had a very slow development, Stewart placing and re-postioned over about two weeks, excruciating for our dear Jeannette, poised ready to sew and top stitch so perfectly.

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Autumn Kite Workshop

Thanks to all those who joined us at the studio kite workshop. The morning was full of practical delights and insights on crafting the perfect flying kite. Fortunately the skies cleared just as we finished attaching the tails and string and the kites were flying beautifully.

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daily update – Civil Twilight End

We’ve decided to provide the time Civil Twilight End strikes on the website.

Civil Twilight End is an artwork created by Stewart and long time collaborator Kate Daw. The project was planned essentially as an audio work, ringing once a day to mark the transition from day to night.The bell is situated on the corner of Bourke St and Village St, in front of the Goods Shed, opposite Docklands Stadium. The ring time changes every day, tuned to the imperceptible shift of seasons daylight.

The campanile is made from bricks recycled from a hole punched in the Goods Shed to allow Collins Street through to the Docklands. The project was commissioned & curated by Simon Maidment at Satelite Art Projects.

An excerpt from Clara’s interview with Stewart & Kate on site.

C. What is the process, how do you come up with an idea like this ?

S. It’s been in our minds to create an artwork that provides an opportunity for everyday ritual. I’ve made a lot of flags and we actually developed an idea for a wishing well while we were working at the MCG. But when we were asked to propose an idea for this site we started with some strong ideas on what we didn’t want to create.

K. Yep, we came and walked around the Docklands, and thought, wow, this place certainly doesn’t need any more shiny sculpture. ( laughs )

S. So we actually wanted a kind of invisible artwork, or maybe a project that was less visibly an artwork. I remember an early idea was just to place a light to create a theatrical space. I think we were searching for something visually understated, quiet.

K. The irony of ‘quiet’, a 250 kilo bronze bell, isn’t that hilarious!

( see interview in full on previous post – Civil Twilight End – art projects )

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born again rooster – in store soon

Over Easter we were again reminded of the celebration of slightly out of place animals, so this extravagantly plumaged rooster was retrieved from Marina’s beautifully curated archive and born again, in all his feathered glory.

Stewart working the Cyan & Magenta screens, The CMYK print process is a lovely example of the simple majesty of the technology of colour separation.

A conversation emerges during these kinds of print sessions around the lost comprehension of current day technology. There is a possibility that as digital technology becomes ever more sleek and savy we become less so in our understanding of it.

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spacecraft studio workshop – kite making

Join the studio for a morning to discover the basics of kite crafting, screen printing fabrics, and building struts and tails. You’ll make your very own spacecraft printed kites to fly home, give away, take to the park…

Saturday morning, 10am-1pm, 21st of April. There are only 15 places, please email us at info@spacecraftaustralia.com to hold a place or go on to our e-store. $50 everything included.

Spacecraft has finally taken to the air in collaboration with travelling kite makers Meriel Campbell-Lloyd and Alain Sandenbergh. We’re seizing the chance to learn the strings of good kitemanship and will be holding this special workshop with the artisans themselves.

You may’ve been lucky enough to catch the wonderful pair of nomad peddlers flying their world’s smallest kite through the streets of Melbourne this month. Meriel has been crafting kites since age six with her father who redefines and romances the possibilities of one’s day job, travelling the world following a gentle breeze, “next stop, um…Italy!”.

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preview – prototype screen

I’ve been wanting to use the form of double sided screens as a way of presenting portraits for an upcoming project. I’ve been collecting photographs from my extended family on recent trips back to Scotland.

Here are the first ideas, a the prototype screen using western cedar door panels with interesting histories. I asked John Beckwith ( the Gentleman joiner ) to think through the hinges and he’s working on another version that might hang on the wall.

Printed onto the wood with some architectural screens – from our 1960′s and 70′s architectural photographs.

The prototype went into Gertrude Street last week to see what kind of reaction we’d get. Only lasted two days, we’ve just packed it up and sent it to New Zealand.

Next the family portraits, incorporating some old silver mirror plates. It’s a promising start, the screen might be a form to work with for some time.

Great photos by Marina.

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spacecraft e-store !

What a great idea to meet here ( the Greenhouse by Joost ) instead of at the studio. I mean I really look forward to visiting the studio, but this is remarkable. And I have to say – no offence Donna – but the coffee’s a little bit better too !

Yes, it’s only here for another fortnight, so I’m keen to spend time here while we can.


OK, I’ve had a look at the e-store on line, and wow Marina’s done a great job with the photos. Beautiful, thoughtful product shots for the cushions. I also think the e-store format shows the versatility and range of cushions really clearly.

Yes, I think those photographs will be an interesting record of the design themes and the print techniques in years to come.

And your trade mark clever / casual photography for the bedlinen shots. That’s pretty funny, is that you and Clara holding up the bedlinen?

It’s quite hard to take a photo of bedlinen without overdoing it. So yes, that’s Clara and myself standing on the back table.


Alright, so who is this e-store for ?

Well, I think initially I imagined the e-store would be for the Melbournian diaspora. Melbournians abroad needing something to set themselves apart, something from home that’s great design, gets comments all the time and comes from your home town.

That’s interesting I’d imagined your biggest customer base would be the designers and the design concious overseas, looking for something new, obtainable only on line. Imagine the bag arriving from the other side of the world with the spacecraft studio tape around it… exciting !

Yes, I really relate to that. I remember that feeling… coming home from school in rural Scotland to find a package of records, all the way from Kingston, Jamacia. I even kept the packaging – for years !

And since we’ve opened the e-store I realise your right, it’s also going to be for overseas visitors, who’ve been to the studio or the store in Melbourne. They’ve kept up with projects and product development on-line and now they can be a real part of it. We’re really looking forward to getting to know those people alot better.


Yeah, I’ve seen your work all over Pinterest and other designer image sharing sites. I often wondered if those fans get in touch with the studio.

I’ve heard of Pinterest, but what is it exactly ?

It’s an online pinboard, you put up collections of images and people follow your train of thought. And spacecraft studio is all over it.

Right, well I don’t know if we know those actual people, perhaps some of them. We’re in contact with lots of people. I know we send images of projects to students, and bloggers all over the world and possibly to people compiling pinboards on line too. Sounds interesting.


I’ve just realised, today, it’s pretty exciting, you know, your e-store, the studio being more accessible – getting involved in this new world.

I think we’ve actually been in the world your talking about for a quite a long time, but maybe this does mark a new level of committment.

Are you afraid having more exposure on line will lead to more copying ? I always return to this theme when we talk, but spacecraft seem to provide the design direction for almost everyone printing in Australia right now !

No, as you know I don’t take much notice, and really nobody makes a good job of  it. ( laughs )


I reckon you should seriously ! I think you’ll be doing a huge service to Australian design if you were more into litigation. Otherwise, maybe the studio should sponsor an originality award at one of the colleges.

That’s actually quite a good idea. I’ll get Clara to look into that.

Don’t sound so surprised ! I have good ideas all the time – maybe I could give up writing for a while and come and work at the studio ?

uh, huh.

What’s that supposed to mean ?

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Paintings from the Studio Backing Cloth ( Dec-Mar 2012 )

A particularly handsome set of backing cloths from an important period at the studio – spanning December 2011 to March 2012. The colour is exceptional, the subdued fluoro orange from the greenhouse project, plays an important role – bright but not overpowering.

Some significant projects appearing prominently and some earlier projects just visible in the background. The Honourable Members artwork ( see previous posts ) and some new lamdscape prints for door panels from theYuendumu trip with Kate Daw are there. Other art and design projects include, Joost’s new Greenhouse, the last traces of the Brook Andrew Colony project, development work for an exciting new project for Schiavello, artwork for two hotel projects, QT on the Gold Coast ( see previous posts )  and a new hotel in Japan on Kyushu and most recently an Emily Floyd project for the MCA.

As usual the patina is awash with spacecraft botanicals and 60′s architectural photography  - geranium, fennel, native violet, pigeon berry, architecture used on the tables includes, le corbusier, Amsterdam ( Gentlemans Canal ), St Marks Venice, The Mercy Hospital & The Treasury building on Spring Street… It’s a special set.

 

 

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